Lewis said he hoped the book would soften-up religious reflexes and "make it easier for children to accept Christianity when they met it later in life". Holiness drenches the Chronicles. When, in the book, the children first hear someone say, mysteriously, "Aslan is on the move", he writes: "Now a very curious thing happened. None of the children knew who Aslan was any more than you do; but the moment the Beaver had spoken these words everyone felt quite different. Perhaps it has sometimes happened to you in a dream that someone says something which you don't understand but in the dream it feels as if it had enormous meaning ..." So Lewis weaves his dreams to invade children's minds with Christian iconography that is part fairytale wonder and joy - but heavily laden with guilt, blame, sacrifice and a suffering that is dark with emotional sadism.
Children are supposed to fall in love with the hypnotic Aslan, though he is not a character: he is pure, raw, awesome power. He is an emblem for everything an atheist objects to in religion. His divine presence is a way to avoid humans taking responsibility for everything here and now on earth, where no one is watching, no one is guiding, no one is judging and there is no other place yet to come. Without an Aslan, there is no one here but ourselves to suffer for our sins, no one to redeem us but ourselves: we are obliged to settle our own disputes and do what we can. We need no holy guide books, only a very human moral compass. Everyone needs ghosts, spirits, marvels and poetic imaginings, but we can do well without an Aslan.
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